AN ATTIC STANDLET IN SIX'S TECHNIQUE
AN ATTIC STANDLET IN SIX'S TECHNIQUE

CIRCA 520 B.C.

Details
AN ATTIC STANDLET IN SIX'S TECHNIQUE
CIRCA 520 B.C.
Of Sosian type, formed from a thick disk with a downward-sloping rim, a raised ring encircling the top, the underside concave, a raised fillet high on the stem, the foot splayed, the tondo with a female acrobat bending forward, nude but for a loin-cloth (perizoma), her hair in a chignon, holding clappers (krotola) in her hands, with two small dots adjacent, perhaps balls, the raised ring with a band of dots, framed by a reserved band with thin bands and a band of double ivy, the edge of the foot also reserved
3 in. (7.6 cm.) diameter; 2¼ in. (5.7 cm.) high
Provenance
with Mathias Komor, New York, 1970s.
Private Collection, U.S.
with Hurst Gallery, Cambridge, Massachusetts, 1998.
Private Collection, U.S., 1998-2012.

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Lot Essay

Small stands, perhaps for cups, were not very common. The earliest surviving example, circa 570 B.C., is signed by Ergotimos as potter and Kleitias as painter (see no. 84 in Picón, et al., Art of the Classical World in the Metropolitan Museum of Art). Beazley referred to the type as Sosian, after the red-figured example signed by Sosias as potter (p. 21 in Beazley, Attic Red-figure Vase-painters). For black-figured examples see no. 318 in Boardman, Athenian Black Figure Vases, and no. 15 in Simon, et al., Mythen und Menschen, Griechische Vasenkunst aus einer deutschen Privatsammlung. That the present example is painted in Six's Technique suggests a connection to the potter Nikosthenes, who is thought to have invented the technique (see Cohen, "Six's Technique: Black Ground," The Colors of Clay, Special Techniques in Athenian Vases). Talcott and Sparkes (pp. 179-180 in The Athenian Agora XII: Black and Plain Pottery of the 6th, 5th and 4th Centuries B.C.) list 32 examples, most in black-figure, the great majority thought to be the product of a single workshop.

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