.jpg?w=1)
Details
ZAO WOU-KI
(ZHAO WUJI, French/Chinese, 1920-2013)
Untitled; & Two Plates from Canto Pisan
signed 'Wou-Ki ZAO' in Chinese & Pinyin; dated '63'; numbered '48/90' (bottom)
signed 'Wou-Ki ZAO' in Chinese & Pinyin; numbered '14/50' (bottom)
signed 'Wou-Ki ZAO' in Chinese & Pinyin; numbered
'14/50' (bottom)
three etching with aquatint
image: 49.1 x 43 cm. (19 3/8 x 16 7/8 in.); 32.3 x 26.2 cm. (12 3/4 x 10 1/4 in.); & 40.8 x 25.5 cm. (16 x 10 in.) (3)
paper: 54.3 x 46.5 cm. (21 3/8 x 18 1/4 in.); 36.2 x 30.3 cm. (14 1/4 x 11 7/8 in.); & 44.3 x 29.6 cm. (17 1/2 x 11 5/8 in.) (3)
Edition 48/90; 14/50; & 14/50
Executed in 1963; 1972; & 1972 (3)
(ZHAO WUJI, French/Chinese, 1920-2013)
Untitled; & Two Plates from Canto Pisan
signed 'Wou-Ki ZAO' in Chinese & Pinyin; dated '63'; numbered '48/90' (bottom)
signed 'Wou-Ki ZAO' in Chinese & Pinyin; numbered '14/50' (bottom)
signed 'Wou-Ki ZAO' in Chinese & Pinyin; numbered
'14/50' (bottom)
three etching with aquatint
image: 49.1 x 43 cm. (19 3/8 x 16 7/8 in.); 32.3 x 26.2 cm. (12 3/4 x 10 1/4 in.); & 40.8 x 25.5 cm. (16 x 10 in.) (3)
paper: 54.3 x 46.5 cm. (21 3/8 x 18 1/4 in.); 36.2 x 30.3 cm. (14 1/4 x 11 7/8 in.); & 44.3 x 29.6 cm. (17 1/2 x 11 5/8 in.) (3)
Edition 48/90; 14/50; & 14/50
Executed in 1963; 1972; & 1972 (3)
Provenance
Richelle Gallery, St. Louis; USA; & Marine Henault Gallery, Montreal, Canada
Acquired from the above by the present owner
Acquired from the above by the present owner
Literature
Arts et Metiers Graphiques, Zao Wou-ki les estampes 1937-1974, Paris, France, 1975 (different edition illustrated in black & white, plate 154, 219 & 224, pp. 86, 122 & 124).
Edition Heede & Moestrup, Zao Wou-ki: The Graphic Work, A Catalogue Raisonne 1937-1995, Copenhagen, Denmark, 1994 (different edition illustrated, plate 152, 218 & 223, pp. 91, 130 & 131).
Edition Heede & Moestrup, Zao Wou-ki: The Graphic Work, A Catalogue Raisonne 1937-1995, Copenhagen, Denmark, 1994 (different edition illustrated, plate 152, 218 & 223, pp. 91, 130 & 131).
Brought to you by
Eric Chang