Details
A CARVED MARBLE ARCHITECTURAL FRAME
FLORENTINE, CIRCA 1450-1480
The pediment centered by a dove with spread wings, the entablature supported by stop-fluted pilasters capped by Corinthian capitals, a scallop-shell cresting beneath, the opening with wrought-iron grille
64¼ in. (163.2 cm.) high; 23½ in. (59.8 cm.) wide; 6 1/8 in. (15.5 cm.) deep
Literature
J. Pope-Hennessy, Catalogue of Italian sculpture in the Victoria and Albert Museum, Vol. III, 1964, nos. 123, 157 and 435.

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Lot Essay

The composition and stylistic attributes of this frame are similar to a number of fifteenth century tabernacles in the Victoria and Albert Museum in London. The design of the niche, with two pilasters either side of a central aperture which is supported by an entablature with a molded architrave, ornamented frieze and cornice, and has a triangular pediment above and console below, is closely comparable to a tabernacle of circa 1480-1497 by Andrea Ferrucci (inv. no. 6743-1859). These characteristics, along with the fine and delicate carving of the outstretched dove, scallop shell and palm leaves, point to the frame originating from a high quality workshop in mid to late fifteenth century Florence. It was probably created as part of a tabernacle, or to frame a precious religious image such as a group of the Virgin and Child.

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