Phillip King, P.P.R.A. (b. 1934)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Phillip King, P.P.R.A. (b. 1934)

Fire King No. 2, Plop, the Frog Jumps

Details
Phillip King, P.P.R.A. (b. 1934)
Fire King No. 2, Plop, the Frog Jumps
signed and numbered 'Phillip King 1/4' (on the base)
bronze with a dark brown patina
36 in. (91.5 cm.) high
Conceived in 1989-90.
Provenance
with Rowan Gallery, London.
Private collection, Tokyo.
Acquired from the above by the present owner in 2005.
Literature
T. Hilton, The Sculpture of Phillip King, London, 1992, pp. 101, 122, pl. 36, another cast illustrated.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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André Zlattinger
André Zlattinger

Lot Essay

Phillip King made four works in the 'Fire King' series: Fire King No. 1, 1989-90, Fire King No. 2, Plop, The Frog Jumps, 1989-90 (the present work), Fire King No. 3, The Other, 1991 and Fire King No. 4, Water Hands, 1991-92. Tim Hilton writes, 'As work on the four sculptures progressed King began to associate them with the four elements. We are at liberty to think of them as evocations or portrayals of Fire, Earth, Air and Water ... At the centre of the sculpture [Fire King No. 1] is the king, a figure strikingly reminiscent of the head of Christ that King had made when a student at Cambridge. In each of the four sculptures this king is a surprised onlooker, but he is also both protector and judge. In Fire King he holds back the threatening figure from the dreamer. In Plop, the Frog Jumps [the present work] something else happens. King was thinking of an Egyptian mother goddess, and his central figure becomes hermaphroditic. The frog jumps from the king's belly. This sculpture has the head of a youth attached to the body of a sea snake. The holes in its fabric are the holes in a skull. Moons and shields were afterthoughts 'but helped the mood of the work'' (op. cit., p. 89).

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