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THOMAS STRUTH (B. 1954)
THOMAS STRUTH (B. 1954)

Restorers in San Lorenzo Maggiore, Naples 1988

Details
THOMAS STRUTH (B. 1954)
Restorers in San Lorenzo Maggiore, Naples 1988
signed 'Th. Struth' (on a paper label affixed to the backing board)
chromogenic print
35¼ x 50¼ in. (89.5 x 127.6 cm.)
Executed in 1988, printed in 1989. This work is number five from an edition of ten.
Provenance
Galerie Max Hetzler, Cologne
Private collection, New York
Anon. sale; Christie's, New York, 19 November 1996, lot 258
Acquired at the above sale by the present owner
Literature
J. Kaila, Thomas Struth, Helsinki, 1996, p. 5 (another example illustrated in color).
T. Weski, N. Bryson and B. H. D. Buchloh, Thomas Struth: Portraits, Munich, 1997, pp. 14-15 (another example illustrated in color).
H. Belting, Thomas Struth: Museum Photographs, Munich, 2005, p. 13 (another example illustrated in color).
A. Kruszynski, T. Bezzola and James Lingwood, eds., Thomas Struth, photographs, 1978-2010, Munich, 2010, p. 81 (another example illustrated in color).
Exhibited
Köln, Galerie Max Hetzler, Neue Arbeiten, May 1988-January 1989 (another example exhibited).
Prato, Museo d'Arte Contemporanea Luigi Pecci, Another Objectivity/Une Autre Objectivite (3/3), June-August 1989 (another example exhibited).
Krefeld, Museum Haus Lange, Portraits, February-April 1992, p. 13 (another example exhibited and illustrated in color).
Boston, Institute of Contemporary Arts; London, Institute of Contemporary Art and Toronto, Art Gallery of Ontario, Thomas Struth: Strangers and Friends, January 1994-March 1995, p. 55 (another example exhibited and illustrated in color).
Hannover, Sprengel Museum, Die Orte der Kunst, May-September 1994 (another example exhibited).
Toronto, Art Gallery of Ontario, The Bigger Picture: Contemporary Photography Reconsidered, November 2000-Februrary 2001.
Dallas Museum of Art; New York, Metropolitan Museum of Art; Los Angeles, Museum of Contemporary Art and Chicago, Museum of Contemporary Art, Thomas Struth: 1977-2002, May 2002-September 2003, p. 117 (another example exhibited and illustrated).
Berlin, Martin-Gropius-Bau, Warum!, May-June 2003 (another example exhibited).
Diözesanmuseum Freising, Kreuz und Kruzifix, Zeichen und Bild, February-October 2005 (another example exhibited).
Porto, Museu Serralves, Os Anos 80/The 80s: A Topology, November 2006-March 2007 (another example exhibited).
Madrid, Museo Nacional del Prado, Making Time, February-July 2007, p. 37 (another example exhibited and illustrated in color).
New York, Marian Goodman Gallery, 30/40 (Part 1), September-October 2007 (another example exhibited).
Neapel, MADRE, Museo d'Arte Contemporanea Donna Regina, Thomas Struth, January-April 2008, pp. 62-63 (another example exhibited and illustrated in color).
Athen, Museum of Cycladic Art, Thomas Struth, June-April 2009, p. 31 (another example exhibited and illustrated in color).
St. Louis, Pulitzer Foundation, Ideal (Dis-)placements: Old Masters at the Pulitzer, June-October 2009.
Kunsthaus Zürich, Fotografien 1978-2010, June-September 2010.

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