CARLO BUGATTI (1856-1940)
CARLO BUGATTI (1856-1940)

'TURIN' CHAIR, CIRCA 1902

Details
CARLO BUGATTI (1856-1940)
'TURIN' CHAIR, CIRCA 1902
embossed brass, vellum, decorated, gilded and inlaid with flowers and stylised dragonflies
38¼ in. (97 cm.) high; 15¾ in. (40 cm.) wide; 17 in. (43 cm.) deep
Literature
For period photographs of this model presented at Prima Esposizione Internazionale d'Arte Decorativa Moderna Turin 1902:
V. Pica, L'arte decorativa all'Esposizione di Torino del 1902, Bergamo 1903, tav. 63, fig. 3; P. Dejean, Carlo, Rembrandt, Ettore, Jean Bugatti, Paris, 1981, p. 76;
Carlo Bugatti au Musée d'Orsay - Catalogue sommaire illustré du fonds d'archives et des collections, Paris, 2001, p. 65, fig. 5.94.

Brought to you by

Erin Caswell
Erin Caswell

Lot Essay

In a review of the Prima Esposizione Internazionale held in Turin in 1902, George Fuchs praised Carlo Bugatti as both original and inventive; the only designer of his time that could take Italy out of 'darkness and confusion'. The rooms created by Bugatti for the exposition represented arguably the height of his career, for which he was bestowed a Golden Medal and a Certificate of Honour. The design of the present lot, exhibited in Turin for the first time, exemplifies that success by presenting an example of his exceptional and unique style. Here he retains his favoured materials, such as embossed brass and vellum, elegantly painted with stylised insects and poppy flowers and yet he achieves a more refined and exquisite design that is less influenced by Orientalism. Two years later Bugatti unexpectedly sold his workshop and moved to Paris with his family.

More from 20th Century Decorative Art + Design

View All
View All