A VIENNA (DU PAQUIER) FINIAL MODELLED AS A SEATED TURK
A VIENNA (DU PAQUIER) FINIAL MODELLED AS A SEATED TURK

CIRCA 1730-35

Details
A VIENNA (DU PAQUIER) FINIAL MODELLED AS A SEATED TURK
CIRCA 1730-35
Modelled seated with his legs tucked beneath him, on a low white cushion with iron-red line ornament and a tassel at each corner, holding a pipe in his right hand and his left arm outstretched, wearing a purple-lined white tunic with gilt edges, white trousers and a tasselled cloth hat (restoration to right wrist and sleeve of tunic, stem of pipe chipped)
2½ in. (6.3 cm.) high

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Emma Durkin
Emma Durkin

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Lot Essay

Finials in the form of seated figures are a distinctive characteristic of du Paquier porcelain made in the 1730s and are most often seen surmounting the covers of small and large tureens. The present example of a Turk appears to be a relatively rare form. A tureen, stand and cover with the same finial, formerly in the Otto and Magdalena Blohm Collection and now in the Metropolitian Museum of Art, New York is illustrated by Robert Schmidt, Early European Porcelain as Collected by Otto Blohm, Munich, 1953, pl. 11, No. 34. Another example of a tureen, cover and stand of the same shape but with a seated Turk finial of a different design is illustrated by Meredith Chilton (ed.), Fired by Passion, Vienna Baroque Porcelain of Claudius Innocentius du Paquier, Stuttgart, 2009, Vol. I, p. 244, fig. 3:17. For a third tureen and cover with another variant of the seated Turkish figure finial see J. Folnesics and Dr. E.W. Braun, Geschichte der K.K. Wiener Porzellanmanufaktur, Vienna, 1907, pl. VIII, no. 2.

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