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Lot Essay
Sir Francis William Stronge was a senior British diplomat and joined the diplomatic service in 1879. It is recorded that he served at the Supreme Court in Shanghai in 1885. Thereafter, he continued his diplomatic career in various countries around the world including Hungary, Turkey, Mexico and Chile.
The current vase depicts the popular tale of general Han Xin evading the Han emperor-to-be Liu Bang, out of frustration that his talents were not recognised. Liu Bang's minister Xiao He acknowledged Han Xin's competence and pursued him in the middle of the night and convinced him to continue his service to Liu Bang's quest to unify China and establish the Han dynasty. This narrative became a popular Yuan dynasty drama and was incorporated into the decorative repertoire of Yuan porcelains, such as a blue and white meiping excavated from the tomb of the early Ming general Mu Ying, exhibited in Splendors in Smalt: Art of Yuan Blue-and-white Porcelain, Shanghai Museum, 2012, Catalogue, pl. 64.
This motif is perpetuated on porcelains in the succeeding centuries, as can be seen on the present vase which belongs to a group of porcelain wares produced during the 17th century, bearing designs of narrative scenes from historical texts, novels and dramas, possibly tailored to the taste of the burgeoning literati-gentry class in late Ming and early Qing society.
The current vase depicts the popular tale of general Han Xin evading the Han emperor-to-be Liu Bang, out of frustration that his talents were not recognised. Liu Bang's minister Xiao He acknowledged Han Xin's competence and pursued him in the middle of the night and convinced him to continue his service to Liu Bang's quest to unify China and establish the Han dynasty. This narrative became a popular Yuan dynasty drama and was incorporated into the decorative repertoire of Yuan porcelains, such as a blue and white meiping excavated from the tomb of the early Ming general Mu Ying, exhibited in Splendors in Smalt: Art of Yuan Blue-and-white Porcelain, Shanghai Museum, 2012, Catalogue, pl. 64.
This motif is perpetuated on porcelains in the succeeding centuries, as can be seen on the present vase which belongs to a group of porcelain wares produced during the 17th century, bearing designs of narrative scenes from historical texts, novels and dramas, possibly tailored to the taste of the burgeoning literati-gentry class in late Ming and early Qing society.