Lot Essay
For a discussion of the possible allusions of the image and the two states of the print (the first state has a key-block black outline around the establishment name), see David Waterhouse, The Harunobu Decade: A Catalogue of Woodcuts by Suzuki Harunobu and His Followers in the Museum of Fine Arts, Boston (Leiden: Hotei Publishing, 2013), pl. 229.