Lot Essay
Scholars have related Le Pisseur to a drawing by Jacques Callot (Uffizi, Florence) of a similar subject. In Ensor’s version a top-hatted gentleman relieves himself on a graffiti-covered wall scrawled with the legend Ensor est un fou (Ensor is a mad man). Le Pisseur has been understood as Ensor’s witty and irreverent response to his critics.