A bronze figure of Rukmini

SOUTH INDIA, CHOLA PERIOD, 11TH CENTURY

Price realised USD 185,000
Estimate
USD 150,000 – USD 200,000
Estimates do not reflect the final hammer price and do not include buyer's premium, and applicable taxes or artist's resale right. Please see Section D of the Conditions of Sale for full details.
Scroll to top
A bronze figure of Rukmini

SOUTH INDIA, CHOLA PERIOD, 11TH CENTURY

Price realised USD 185,000
Price realised USD 185,000
Details
A bronze figure of Rukmini
South India, Chola period, 11th century
Standing on a lotus base over a waisted plinth holding a lotus blossom in her right hand with her left at her side, clad in a dhoti incised with stippled roundels and secured with a festooned belt, adorned with a beaded harness and various jewelry, the face with elongated eyes flanked by hooped earrings, the hair arranged in an elaborate bun
20¾ in. (52.7 cm.) high
Provenance
William H. Wolff, New York, by 1970
The James and Marilynn Alsdorf Collection, Chicago, 1975
Private Collection, Switzerland, acquired at Christie's London, 22 April 1981, lot 137
Literature
H. Munsterberg, Art of India and Southeast Asia, 1969, p. 137

If you wish to view the condition report of this lot, please sign in to your account.

Sign in

Lot Essay

Rukmini is the first wife of the mischievous young gopa and avatar of Vishnu, Krishna; the present bronze would likely have flanked an image of him. When she was arranged to be married to a man she didn't love, Krishna kidnapped her at her request and they eloped. Later, when Krishna's younger second wife Satyabhama foolishly "sold" Krishna to charity in a fit of jealousy and pride, Rukmini was able to win him back through prayer and a simple offering of a Tulsi leaf. Her modesty and devotion to her husband are thus held up as ideal virtues. The sculptor of the present work has rendered Rukmini with the sensuality characteristic of the Chola period. "In these images the typically Indian ideal of feminine beauty finds its most perfect expression. The body has a graceful, dancelike sway, the breasts are protruding yet firm, and the figure slender with a narrow waist, full hips, long legs, and delicate hands" (H. Munsterberg, Art of India and Southeast Asia, 1969, p. 137).

More from Indian and Southeast Asian Art