AN ARTS AND CRAFTS HARDSTONE-MOUNTED SILVER  ALTAR CROSS
AN ARTS AND CRAFTS HARDSTONE-MOUNTED SILVER ALTAR CROSS

ATTRIBUTED TO HENRY WILSON, UNMARKED, CIRCA 1903

Details
AN ARTS AND CRAFTS HARDSTONE-MOUNTED SILVER ALTAR CROSS
ATTRIBUTED TO HENRY WILSON, UNMARKED, CIRCA 1903
The stepped square base on four ball feet, the centre applied with an enamelled panel depicting the Madonna and Child, engraved Biblical verse, the reverse with presentation inscription
24.1/2 in. (62.3 cm.) high; 13.3/4 in. (34.9 cm.) wide
The inscription on the front is from the Gospel according to Mark, chapter 8, verse 34B, 'If anyone would come after me, let him deny himself and take up his cross and follow me.'

The presentation inscription reads 'THIS CROSS WAS PRESENTED TO WYNYARD CHAPEL BY THERESA, MARCHIONESS OF LONDONDERRY, CHRISTMAS, 1903.'
Provenance
Charles Stewart Vane-Tempest-Stewart, 6th Marquess of
Londonderry (1852-1915) or Theresa Susey Helen, Marchioness of
Londonderry (1856-1919) and by descent.
Literature
Probably, Wynyard Park inventory, 1956, p. 97, chapel.
Wynyard Park inventory, 1965, vol. i, p. 61, chapel.

Brought to you by

Katharine Cooke
Katharine Cooke

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Lot Essay

The present lot was almost certainly designed and executed by the architect and craftsman Henry Wilson (1864-1934). Beginning in 1903, Wilson carried out a three-year decoration project of the chapel and monument room at Wynyard Park, co. Durham. The project at Wynyard was just one of his many architectural schemes, which also included the redecoration of St Bartholomew's Church, Brighton (1898), the library at Welbeck Abbey (1889–96) and a bronze and silver pulpit for Ripon Cathedral (1913).

Wilson was a leading figure in the Arts and Crafts movement. In his obituary, contemporary William Morris described Wilson's calm and intellectual approach to design and making. Wilson's training in architecture, sculpture and painting combined with a knowledge of metal-working, embodied the multi-disciplined approach to the Arts and Crafts movement. Together with C.R. Ashbee, Wilson applied the premise of the Arts & Crafts movement to liturgical silver, reigniting an interest in craftsmanship in church plate. His 1912 book, Silverwork and Jewellery, An Introduction to Students and Workers in Metal, is still popular with apprentices in the field today.


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