RARE VASE EN CUIVRE ET EMAUX PEINTS, GU
ƒ: In addition to the regular Buyer’s premium, a c… Read more
RARE VASE EN CUIVRE ET EMAUX PEINTS, GU

CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)

Details
RARE VASE EN CUIVRE ET EMAUX PEINTS, GU
CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)
L'extérieur est entièrement recouvert d'un émaillage aux teintes vertes, bleues et brunes imitant la patine des bronzes archaïques. Le col, le pied et la partie centrale renflée sont rehaussés d'un décor doré de dragons stylisés, volutes géométriques, grecques, ruyi et feuilles de bananier. Les anses en forme de têtes de dragon soutiennent un anneau. L'intérieur est émaillé bleu pâle, la base blanc. Son socle en bronze doré est rehaussé d'un décor émaillé bleu nuit et turquoise, de lotus, volutes et frises de pétales ; petites restaurations.
Hauteur avec le socle: 33 cm. (13 in.), Hauteur du vase: 27 cm. (10 5/8 in.)
Provenance
Property from an important private American collection
Special notice
ƒ: In addition to the regular Buyer’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds)
Further details
AN UNUSUAL PAINTED ENAMEL 'ARCHAISTIC' VASE, GU
CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)

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Giulia Cuturi
Giulia Cuturi

Lot Essay

This unusual vase with its archaistic decoration and enamelling suggesting the patina of ancient bronze represents a major artistic theme of the Qianlong reign. Like his predecessors, the Qianlong Emperor was a great admirer and collector of antiques. Indeed, he personally added more items to the imperial collections than any of his forebears. His interest was such that he commissioned illustrated catalogues of specific areas of his collection. The Emperor's interest in antiques was not confined to collecting, he also specifically commissioned contemporary works of art in ancient style. In the case of the current vase, this antiquarian interest was combined with another popular fascination - that of imitating one material in another. In the Qianlong reign this fascination was at its height, and lacquer, stone, wood and bronze were among the materials reproduced in porcelain and more rarely in painted enamel wares.
Especially in the imitation of ancient cast bronze, the decoration often appears more rounded and adapted to the 18th century taste, in order to produce the best decorative effect.
Compare with a similarly painted enamel stem cup from the Palace, illustrated in Metal-bodied Enamel Ware - The Complete Collection of Treasure of the Palace Museum, Hong Kong 2002, pl.241.

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