A SET OF FOUR LATE LOUIS XV ORMOLU THREE-BRANCH WALL-LIGHTS
Prospective purchasers are advised that several co… Read more THE PROPERTY OF AN ESTATE NEAR DÜSSELDORF
A LATE XV ORMOLU-MOUNTED MOTHER-OF-PEARL, PEWTER AND IVORY-INLAID SYCAMORE, TULIPWOOD, AMARANTH AND FRUITWOOD MARQUETRY COMMODE

BY LEONARD BOUDIN, CIRCA 1770

Details
A LATE XV ORMOLU-MOUNTED MOTHER-OF-PEARL, PEWTER AND IVORY-INLAID SYCAMORE, TULIPWOOD, AMARANTH AND FRUITWOOD MARQUETRY COMMODE
BY LEONARD BOUDIN, CIRCA 1770
The moulded breakfront brèche d'Alep marble top above two drawers, on cabriole legs, stamped twice L.BOUDIN and JME, the escutcheon and foliate clasps beneath top replaced
34½ in. (88 cm.) high x 46 in. (116 cm.) wide x 21 in. (53 cm.) deep
Provenance
Christie's London, 7 December 1989, lot 139.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Marcus Radecke
Marcus Radecke

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Lot Essay

Léonard Boudin maître in 1761. In the early 1770s, he supplied furniture in floral marquetry and in chinoiserie lacquer for ébéniste like Migeon, Peridiez, or Moreau. From his shop in the Rue Froidmanteau, Boudin subcontracted to contemporary ébénistes such as Gilbert, Topino, Tuart, Foullet. Increasingly acting as a marchand-ébéniste, Boudin was one of the most prolific of the Transitional Period, and, above all, a grossiste du meuble. That's why his stamps as a marchand often appear alongside those of the makers, with whom he collaborated frequently. The present commode, with its specific ivory marquetry representing the presentation of Jesus in the temple, belongs to a small group identified and discussed by P. Kjellberg in his book le Mobilier du XVIIIeme siecle Francais, 1989 pp 792-793. Kjellberg suggests that one unknown ébéniste dedicated his production to this specific sort of marquetry panels and retailed them to his confreres as Schlichtig, Cosson, Deloose, and trough them, Boudin. A comparable transition commode by Schlichtig is illustrated in Op cit., p. 792.

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