Cornelis Visscher (Haarlem 1628-1658 Amsterdam)
PROPERTY FROM A PRIVATE EUROPEAN COLLECTION (LOTS 101-2, 107-8, 110-1, 126-7, 128, 136, 149-50, 153-5, 157-9 AND 183)
Cornelis Visscher (Haarlem 1628-1658 Amsterdam)

Portrait of a gentleman aged 39, half-length, wearing a wide-brimmed hat, holding his gloves in his right hand

Details
Cornelis Visscher (Haarlem 1628-1658 Amsterdam)
Portrait of a gentleman aged 39, half-length, wearing a wide-brimmed hat, holding his gloves in his right hand
signed, dated, and inscribed 'Æs A.39./ C. Visscher f./ A°. 1652'
black chalk, stumping, on vellum
11 7/8 x 8? in. (30 x 20.8 cm.)
Provenance
Karl Eduard von Liphart, and by descent to his grandson
Reinhold von Liphart; Boerner, Leipzig, 27 June 1899, lot 627 ('Reichgekleideter junger Mann mit langem Haar und breitkrempigem Hut. Halbfigur. ... Prachtvoll ausgeführte lebensvolle Kreidezeichnung auf Pergament. Von grösster Schönheit. Ein Hauptblatt der Sammlung').
Henry Oppenheimer; Christie’s, London, 10-14 July 1936, part of lot 330 (46 guineas to Knoedler).
with Colnaghi, London, Exhibition of Old Master Drawings, May-June 1959, no. 29; from whom acquired by the former owner in 1960, and thence by descent.

Brought to you by

Rosie Jarvie
Rosie Jarvie

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The present drawing was justly singled out as a highlight of the collection in the 1899 Liphart sale: it is a remarkable example of Visscher's chalk portraits on vellum, which became the most celebrated aspect of his work. Though he had been a prolific printmaker since 1649, his activity as a portrait draftsman only began in earnest in 1652, the year in which this portrait was made and from which at least ten fully signed and dated portrait drawings are known (in contrast, a total of only three portraits dating from 1649 to 1651 survive today). This is characteristic of Visscher's early portraits, still showing a rather experimental approach to the foreshortening of the arms and a visible pentimento to the left part of the hat's brim. Similar alterations can be seen in a number of the artist’s drawings from this date, including those made to the shoulder and arm in Visscher’s Self-Portrait in a wide-brimmed hat of the same year in the Rijksmuseum (inv. no. A 4482).

We are grateful to John Hawley, currently finishing his doctoral thesis on Cornelis Visscher, who has confirmed the attribution on the basis of a digital photograph and kindly assisted with the cataloguing of the drawing.

More from Old Master & British Drawings & Watercolours

View All
View All