MUHYI AL-DIN LARI (D. AH 933/1526-7 AD): KITAB FUTUH AL-HARAMAYN AND OTHER TEXTS
MUHYI AL-DIN LARI (D. AH 933/1526-7 AD): KITAB FUTUH AL-HARAMAYN AND OTHER TEXTS
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MUHYI AL-DIN LARI (D. AH 933/1526-7 AD): KITAB FUTUH AL-HARAMAYN AND OTHER TEXTS

COPIED IN MECCA, SAUDI ARABIA, DATED 7 RABI' I AH 1072/31 OCTOBER 1661 AD

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MUHYI AL-DIN LARI (D. AH 933/1526-7 AD): KITAB FUTUH AL-HARAMAYN AND OTHER TEXTS
COPIED IN MECCA, SAUDI ARABIA, DATED 7 RABI' I AH 1072/31 OCTOBER 1661 AD
Comprising Kitab futuh al-haramayn (The Conquests of the Two Holy Sites), Qasida dar manaqib khanah ka'bah mukkaramah va haram musharafah (an anonymous prose treatise on the holy places of Mecca) and Sheikh Hassan Basri's Risala dar fada'il makkah mushsharafah, Arabic and Persian manuscript on paper, 84ff. plus two fly-leaves, each folio with 13ll. of elegant black nasta'liq often divided into two columns by red rules, headings in red nasta'liq, red and blue ruled text panels, 6 full-page contemporaneous illustrations including depictions of the Haram al-Sharif in Mecca and the Mosque of the Prophet in Medina, a further 12 smaller illustrations of religious sites associated with the Hajj, two gold and polychrome illuminated floral headings decorating the opening folio at the end of the text, two colophons; dated AH 1072 and AH 1076 respectively, in a later silk covered morocco with marble paper doublures, slightly trimmed
Text panel 4¾ x 2¾in. (12.3 x 7cm.); folio 6 3/8 x 3 7/8in. (16.1 x 9.8cm.)
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Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

Lot Essay

During the 16th century, several new travel guides to the sites of pilgrimage were written that were based on the earlier Hajj certificate tradition. One of the earliest and most popular accounts was by Muhyi al-Din Lari, a polymath who dedicated the work to Muzaffar bin Mahmudshah, the ruler of Gujarat in AH 911/1505-06 AD. The earliest known copy of the work is in the British Museum (Or. 3633) copied at Mecca in AH 951/1544 AD. Other dated copies are in the India Office Library (the British Library), Bibliotheque Nationale, Paris, the Edwin Binney, 3rd Collection of Turkish Art at the Harvard University Art Museum, The Chester Beatty Library, Dublin and the New York Public Library (Barbra Schmitz, Islamic Manuscripts in the New York Public Library, New York, 1992, pp. 42-46, I.3).

The text appears to have been very popular. A number of manuscripts have survived, at least twelve of which, like ours, have colophon inscriptions indicating that they were produced in Mecca (Venetia Porter (ed), Hajj – Journey to the Heart of Islam, London, 2012, pp.46-53). Another copy written in Mecca and dated Jumada II AH 990/June-July 1582 AD in the Nasser D. Khalili Collection (.M. Rogers, The Arts of Islam, Abu Dhabi, 2008, no. 285, pp. 250-251).

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