A RESTAURATION ORMOLU, PATINATED-BRONZE AND ACAJOU MOUCHETE MAHOGANY CENTRE TABLE WITH PIETRE DURE TOP
A RESTAURATION ORMOLU, PATINATED-BRONZE AND ACAJOU MOUCHETE MAHOGANY CENTRE TABLE WITH PIETRE DURE TOP
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THE PROPERTY OF A COLLECTOR
A RESTAURATION ORMOLU, PATINATED-BRONZE AND ACAJOU MOUCHETE MAHOGANY CENTRE TABLE WITH PIETRE DURE TOP

CIRCA 1820-1830

Details
A RESTAURATION ORMOLU, PATINATED-BRONZE AND ACAJOU MOUCHETE MAHOGANY CENTRE TABLE WITH PIETRE DURE TOP
CIRCA 1820-1830
The top geometrically inlaid with various marbles including Campan Grand Melange and Granito rosso over a frieze applied with putti, on five lion-form supports joined by a stretcher, the underside with an old Italian trade label
29 ½ in. (75 cm.) high; 38 ¼ in. (97 cm.) diameter

Brought to you by

Adam Kulewicz
Adam Kulewicz

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Lot Essay

The graceful lion-form supports of the present table are based on a design by Charles Percier and Pierre-François Léonard Fontaine, the famed architects and draughtsmen of the Empire period who were, in turn, inspired by furniture of Antiquity (J-P Samoyault, Fontainebleau Musée National du Château, Catalogue des collections de mobilier 3, Meubles entrés sous le Premier Empire, Paris, 2004, p. 93). Lion-form supports can be found on important commissions from the era including a pair of giltwood console tables ordered from Jacob-Desmalter for Napoleon I’s sale du Trône at the Château de Fontainebleau and delivered in 1808 (illustrated Samoyault, op. cit., pp. 91-93, no. 24). As the present table would suggest, these antique-influenced supports remained en vogue in the decades following the Empire. Here, they are combined with superbly chased frieze mounts of bacchic putti and a finely inlaid Italian marble top, a mélange emblematic of the splendid 'historicist’ interiors of Restauration France.

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