Gluck (Hannah Gluckstein) (1895-1978)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY OF A NOBLEMAN
Gluck (Hannah Gluckstein) (1895-1978)

Eighth Army Canteen

Details
Gluck (Hannah Gluckstein) (1895-1978)
Eighth Army Canteen
signed and dated 'GLUCK/44' (lower right)
oil on canvas, in the artist's frame
10 x 14 in. (25.4 x 35.6 cm.)
Provenance
with Fine Art Society, London, where purchased by the present owner.
Literature
Exhibition catalogue, Spring '85, London, Fine Art Society, 1985, no. 12, illustrated.
D. Souhami, Gluck: her biography, London, 1988, p. 193, illustrated.
Exhibited
London, Fine Art Society, Gluck, Exhibition of paintings, April - May 1973, no. 35.
London, Fine Art Society, Memorial Exhibition Gluck 1895-1978, December 1980 - January 1981, no. 40.
London, Fine Art Society, Spring '85, April - May 1985, no. 12.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Anne Haasjes
Anne Haasjes

Lot Essay

The Eighth Army was formed in 1941 and at its peak comprised of 220,000 men. A British formation, under the command of British officers, the Eighth Army incorporated units from throughout the Commonwealth.

Although not an official war artist, Gluck travelled to the Home Guard Canteen in Plumpton after being issued a general permit by the War Artists Committee in 1942. It is there that she painted Eighth Army Canteen in 1944. Gluck's depiction of soldiers relaxing conjures an atmosphere of camaraderie and group spirit despite the hardship they face.

Gluck wrote ‘I find that in spite of the inevitable ups and downs of one’s life, and the violent changes in the world of Art one factor has remained constant; […] that is an unswerving belief that if I created only that which moved me profoundly, and fulfilled on every count my need to express those depths, not only would it bring me satisfaction if carried out unwaveringly, but that others would be equally effected’ (exhibition catalogue, Gluck, Exhibition of paintings, London, Fine Art Society, 1973, n.p.).

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