A SET OF FOUR WILLIAM AND MARY SILVER WALL-SCONCES
A SET OF FOUR WILLIAM AND MARY SILVER WALL-SCONCES

APPARENTLY UNMARKED, CIRCA 1686-1690, PERHAPS ADAPTED BY RUNDELL BRIDGE AND RUNDELL AFTER 1823, THE BRANCHES WITH MARK OF ROBERT GARRARD, LONDON, 1850

Details
A SET OF FOUR WILLIAM AND MARY SILVER WALL-SCONCES
APPARENTLY UNMARKED, CIRCA 1686-1690, PERHAPS ADAPTED BY RUNDELL BRIDGE AND RUNDELL AFTER 1823, THE BRANCHES WITH MARK OF ROBERT GARRARD, LONDON, 1850
The scroll heart-shaped centre flanked by openwork foliage and scroll sides and cast and chased with fruiting grapevines, some with further later applied foliage, capped with a drapery and foliage cartouche applied with the WMR cypher below the Royal crown and flanked by putto, the single light arms each with scroll branch and shell cast terminal, the centre later engraved with a cypher
18 in. (45.7 cm.) high
384 oz. 6 dwt. (11,952 gr.)
The cypher is that of Gregory de Ligne Gregory (1786-1854) of Harlaxton Manor.
Provenance
Ordered for Queen Mary (1662-94) by Royal Warrant either 12 March 1686 as part of 'seaven new silver sconces with two socketts' or 5 September 1686 as part of 'three new silver sconces of the same manner and largesse as the other seven' or for King William III and Queen Mary 20 September 1689 as part of 'five acorn sconces of the fashion as those that were made therefore' or a final pair delivered the following September.
Used to furnish the Queen's Drawing room at Whitehall Palace and later the velvet draped bedchamber at Whitehall Palace where the Queen lay in state in 1694 (PRO LC9/46 11 February 1694/5).
In the Jewel House of the Royal collection until 1812 when they were 'taken to Carlton House... for the Prince Regent to see' (PRO LC9/351, f.1).
Presumably among those sold to Rundell, Bridge and Rundell 1816-17 along with at least eight other sconces from the set and other plate totalling 4,286 oz. as part payment for a service of plate for Princess Charlotte of Wales (1796-1817) (PRO LC9/351, f.91).
Gregory de Ligne Gregory (1786-1854) of Harlaxton Manor, Lincolnshire, by bequest to
Sir Glynne Earle Welby-Gregory 3rd Bt. (1806-1875) and then by descent.
Literature
Inventory of articles (heirlooms, including library and works of art) at Harlaxton New Manor House, 1864-66, National Archives, Kew, Ms. J 90/1217, p. 58, nos. 40-43, ‘Plate’:
No. 40, ‘A Richly Chased Sconce Surmounted by A Crown and two Boys – 81 oz. 5 dwt.’
No. 41, ‘A Richly Chased Sconce Surmounted by A Crown and two Boys – 96 oz. 17 dwt.’
No. 42, ‘A Richly Chased Sconce Surmounted by A Crown and two Boys – 93 oz. 7 dwt.’
No. 43, ‘A Richly Chased Sconce Surmounted by A Crown and two Boys – 104 oz. 2 dwt.’

Brought to you by

Matilda Burn
Matilda Burn

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

This set of four sconces, known as the 'Oken' or Acorn sconces after the distinctive outer border which the present pair, and others from the series now lack, are from a set of similar examples ordered between 1686 and 1689 by William and Mary. They are discussed by Matthew Winterbottom in Royal Treasures A Golden Jubilee Celebration, London, 2002, p.255-256, no.175.

Other known examples include a set of four in the Royal Collection, which are each capped with a Royal crown and applied with the cypher of William and Mary. They were gilt and improved by Rundell, Bridge and Rundell in 1816 at the request of the Prince Regent, later King George IV. A set of eight, which like the present examples are missing their oak leaf and acorn festoons, and each with an added second branch by Robert Garrard, 1856, that formed part of the Sneyd Heirlooms which were sold in 1924, passed through the collection of William Randolph Hearst and are now in the Collection of Colonial Williamsburg (J. Davis, English Silver at Williamsburg, Virginia, 1976, pp. 15-17, cat. no. 2) and a pair sold Christie's, London, 10 June 2008, lot 253.

More from Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes

View All
View All