Abraham van den Tempel  (Leeuwarden 1622-1672 Amsterdam)
Abraham van den Tempel (Leeuwarden 1622-1672 Amsterdam)

Costume study for the portrait of a girl, full-length (recto); Study of an arm resting on a chair, and a counterproof of a study of a standing man (verso)

Details
Abraham van den Tempel (Leeuwarden 1622-1672 Amsterdam)
Costume study for the portrait of a girl, full-length (recto); Study of an arm resting on a chair, and a counterproof of a study of a standing man (verso)
black chalk heightened with white on faded blue paper, fragmentary black chalk framing lines
14 x 8¾ in. (35.7 x 22.1 cm.)
Provenance
Marius Bauer (1867-1932).
Exhibited
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d'un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d'une collection privée d'Amsterdam, 1976-77, no. 128, pl. 83 (catalogue by J. Giltaij).
Amsterdam, Rijksmuseum, and Washington, National Gallery of Art, Dutch Figure Drawings from the Seventeenth Century, 1981-82, no. 91, illustrated p. 93.

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Benjamin Peronnet
Benjamin Peronnet

Lot Essay

Son of the Frisian painter and Mennonite minister Lambert Jacobsz. (c. 1598-1636), van den Tempel received his training in Amsterdam from Jacob Backer (1608-1653) in the early 1640s, after which he took up residence in Leiden. At first primarily a history painter, van den Tempel specialized in portraits once he moved back to Amsterdam in 1660.

The present study, which was chosen to represent the artist in the 1982 ground-breaking exhibition Dutch Figure Drawings from the seventeenth century, is probably a study for a painting, but no related work is known. The attribute of the flower, however, appears often in van den Tempel's portraits.

The drawing belonged to Marius Bauer, a highly successful painter, draughtsman and prolific etcher, whose oeuvre was internationally sought after.

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