Lot Essay
‘Hooked fronds of resin, like flattened sea-slugs, whose titles […] read as a litany of biological specimen numbers, [are] draped from the wall. With the luminous, viscous transparency of boiled sweets, they [are] awkwardly amorphous, holding their shapes but only just’
(A. Sherlock, ‘Alice Channer, Jessica Jackson Hutchins & Linder’, in Frieze, no. 156, June-August 2013, p. 226).
(A. Sherlock, ‘Alice Channer, Jessica Jackson Hutchins & Linder’, in Frieze, no. 156, June-August 2013, p. 226).