Lucio Fontana (1899-1968)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Lucio Fontana (1899-1968)

Concetto spaziale

Details
Lucio Fontana (1899-1968)
Concetto spaziale
signed 'l. fontana' (to one side)
terracota
7 7/8 x 10 x 7 3/8in. (20 x 25.5 x 18.6cm.)
Executed in 1955-1960
Provenance
Galerie di Meo, Paris.
Acquired from the above by the present owner in 1988.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Further details
This work is registered in the Archivio Lucio Fontana, Milan under no. 2368/1.

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Amanda Lo Iacono
Amanda Lo Iacono

Lot Essay

‘Now in space there is no longer any measurement…Now you see infinity....in the Milky Way, now there are billions and billions ....The sense of measurement and of time no longer exists. Before it could be like that...but today it is certain, because man speaks of billions of years, of thousands and thousands of billions of years to reach, and so, here is the void, man is reduced to nothing...When man realises ....that he is nothing, nothing, that he is pure spirit he will no longer have materialistic ambitions... man will become like God, he will become spirit. This is the end of the world and the liberation of matter, of man ...man will become a simple being like a flower, a plant will only live through his intelligence, through the beauty of nature he will purify himself with blood, because he constantly lives with blood...And my art too is all based on this purity on this philosophy of nothing, which is not a destructive nothing, but a creative nothing.... And the slash, and the holes, the first holes, were not the destruction of the painting...it was a dimension beyond the painting, the freedom to conceive art through any means, through any form’
(L. Fontana, quoted in Lucio Fontana, exh. cat. Palazzo delle Espsizioni, Rome, 1998, p. 246).

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