Jacques de Gheyn II (Antwerp 1565-1629 The Hague)
Jacques de Gheyn II (Antwerp 1565-1629 The Hague)

Two studies of a woman breastfeeding her child

Details
Jacques de Gheyn II (Antwerp 1565-1629 The Hague)
Two studies of a woman breastfeeding her child
with inscription 'J de Gheyn'
traces of black chalk, pen and brown ink, black ink framing lines, irregularly cut at the top and bottom left and made up
15.5 x 23 cm.
Provenance
Aron Joseph de Pinto; Van der Schley, Amsterdam, 11 April 1785, lot 343 (Twee zittende Vrouwen, yder met een Kind op de Schoot, met de Pen gearseerd, door J. de Ghein.; sold with three other drawings for 1.10 florins to Ziesenis).
Charles Fairfax Murray (1849-1919).
with Nicolaas Beets (1878-1963), Amsterdam; received by I.Q. van Regteren Altena in part exchange with six other drawings and one painting in June (?) 1925 (?) (Inventory book: '112. t. J. de Gheyn twee moeders').
Literature
I.Q. van Regteren Altena, Jacques de Gheyn: Three Generations, The Hague, 1983, II, no. 593, III, pl. 369.
Exhibited
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d'un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d'une collection privée d'Amsterdam, 1976-77, no. 57, pl. 35 (catalogue by J. Giltaij).

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Harriet West
Harriet West

Lot Essay

De Gheyn’s numerous drawings of men and women in their daily pursuits show the artist’s great interest in observing and depicting daily life. A total of 119 of these ‘figure studies’ can be found in van Regteren Altena’s catalogue of de Gheyn's drawings, forming a significant part of his drawn oeuvre (op. cit., nos. 532-650). These intimate drawings, often showing family scenes, show the artist's ability to raise even the simplest activities to a monumental level. The present drawing is a fine example of such a genre scene. The figures are drawn with vigorous, energetic strokes giving the drawing a great sense of vitality. The irregular shape of the sheet indicates that is was once part of a larger sheet with additional studies.

The intimate genre drawings by de Gheyn had a great influence on the next generation of draughtsmen in the Netherlands, and is especially evident in the drawings of Rembrandt (1606-1669) and his school (see J.R. Judson, in Jacques de Gheyn II als tekenaar 1565-1629, exhib. cat., Rotterdam, Museum Boijmans Van Beuningen and Washington DC, National Gallery of Art, 1985-86, pp. 22-3). Drawings like this one prompted the basis for the next generation of Dutch artists to develop the realistic art for which they are celebrated.

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