A GEORGE III ORMOLU AND WHITE MARBLE VASE PERFUME BURNER
These lots have been imported from outside the EU … Read more THE PROPERTY OF A LADY, FROM A PRIVATE EUROPEAN COLLECTION
A GEORGE III ORMOLU AND WHITE MARBLE VASE PERFUME BURNER

ATTRIBUTED TO MATTHEW BOULTON, CIRCA 1775 - 85

Details
A GEORGE III ORMOLU AND WHITE MARBLE VASE PERFUME BURNER
ATTRIBUTED TO MATTHEW BOULTON, CIRCA 1775 - 85
The pierced lid with a berried finial above bands of applied foliage, with a copper liner and a foliate and spiral-fluted socle, the swagged marble plinth supporting a pair of perching doves and with foliate collars and a medallion of Adonis and the wild boar, on a stepped base
10 in. (25.5 cm.) high
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Lot Essay

The vase is a variation on Matthew Boulton's Venus vase, which was manufactured as both a perfume burner and a clock case. Boulton's pattern book shows a more elaborate model, with a standing figure of Venus resting against the plinth, the original source of which may have been the engraving attributed to Simon François Ravenet depicting Venus mourning for Adonis, published by Robert Sayer in The Compleat Drawing Book (3rd ed. 1762). In Boulton's fully realised version of the perfume vase, the pair of doves are positioned on the lower step of the plinth whereas here, in the absence of the female figure, they are repositioned on the plinth itself, directly below the urn (see N. Goodison, Matthew Boulton: Ormolu, London, 2002, p. 96, fig. 65, and pp. 351 - 356, figs. 359 - 361).
Although no exactly comparable vase has been identified there are other examples that appear incomplete, or the design incoherent, and Nicholas Goodison has suggested that these may have been assembled from elements left over in the factory after production to all intents an purposes ceased in the 1780s.

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