A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE
A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE
A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE
A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE
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THE PROPERTY OF A GENTLEMAN (LOTS 130-132)
A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE

ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1815

Details
A REGENCY BRASS-INLAID AND MOUNTED AMBOYNA, EBONY AND EBONISED SOFA TABLE

ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1815
The canted rectangular twin-flap top with border of stylised foliage, above a pair of ebony-banded cedar-lined frieze drawers flanked by paterae, the reverse with simulated drawers, on tapering panelled part-mahogany-veneered end-supports with a stylised foliate roundel, joined by a part-reeded and turned tapering mahogany stretcher, on a waisted socle and rectangular plinths, on walnut panelled block feet with sunk-brass castors
28½ in. (72.5 cm.) high; 70½ in. (179 cm.) wide, open; 27¼ in. (69.5 cm.) deep
Provenance
Arthur Balfour, 1st Earl of Balfour (1848-1930), Whittinghame, East Lothian and by descent.
The Trustees of the 1st Earl of Balfour, Christie's, London, 8 June 2006, lot 105.
Christie's, London, 7 June 2007, lot 105.

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Carys Bingham
Carys Bingham

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Lot Essay

This 'octagon corner' sofa table with richly polished and mottled amboyna veneer brass-inlaid in fillets and ebony ribbons after the French 'buhl' manner, belongs to a group of 'Grecian furniture' manufactured by George Bullock (d. 1818), sculptor and cabinet-maker, following his Parisian visit of 1814 and the establishment of his London 'Mona Marble and Furniture' works at 4 Tenterden Street, Hanover Square (C. Wainwright, George Bullock: Cabinet-Maker, London, 1988, p. 157). It was highly praised for its elegance and magnificence in Rudolph Ackermann's, Repository of the Arts, 1816 , which devoted around a dozen plates to his work. The table's trestle or standard pattern with plinth-suppported and stretcher-tied lyres, features in the Bullock Wilkinson tracings at the Birmingham City Museum and Art Gallery, p. 30 and was later illustrated by the architectural draughtsman Richard Brown in his Rudiments of Drawing Cabinet and Upholstery Furniture, 1822, pl. IX. The 'massy grandeur' of Bullock's furniture was particularly praised by Brown (under pl. XXV) as was his 'true Grecian taste', the diversity of his veneers and the novelty of his buhl-work 'ornaments' such as the use of British plants.

Here the table-top displays a ribbon of trefoiled sprigs, which replaced the more common French laurel-wreath and was much favoured by Bullock. An oak sofa table at Boughton House, Northamptonshire, with identical borders was acquired directly from Bullock by the 4th Duke of Buccleuch in November 1814. The borders also appear on the suite of furniture manufactured for Don Pedro de Souza e Holstein, 1st Duke of of Palmella (d. 1850), Portuguese ambassador to the court of the Prince Regent, later King George IV, the majority of which was sold in these Rooms, 25 July 1987 lots 171-181 (L. Wood, 'George Bullock and the Duke of Palmella', National Art Collections Fund Review, 1988, pp. 96-100). As the 1819 catalogue reveals, 'Octagon Corners' appear on several sofa tables in the Bullock sale. An amboyna sofa table of this pattern was sold anonymously, in these Rooms, 16 March 1967, lot 102 and another, largely in brown oak was sold from by Mr. Edward Sarofim, in these Rooms, 16 November 1995, lot 105 (£62,000).

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