AN ISFAHAN CARPET FRAGMENT
PROPERTY FROM A NORTH AMERICAN COLLECTOR (LOTS 63-64)
AN ISFAHAN CARPET FRAGMENT

CENTRAL PERSIA, CIRCA 1600

Details
AN ISFAHAN CARPET FRAGMENT
CENTRAL PERSIA, CIRCA 1600
With metal thread and silk warps
Approximately 2 ft. x 6 ft. (61 cm. x 183 cm.)
Provenance
Dikran Kelekian, sold Parke Bernet, New York, 21-23 October 1953, lot 622.
Anonymous sale; Sotheby's New York, 11 December 1991, lot 88.
Marc Feldman, New York.
The James D. Burns Collection; Christie's London, 18 October 2001, lot 257.
Literature
Migeon, Gaston, La Collection Kelekian, Etoffes et Tapis d'Orient et de Venise, Paris, 1907, pl. 6
Meisterwerke Muhammedanischer Kunst, Katalog, Munich, 1910, no. 17
A Skein through Time, Carpets from the Collection of Memebers of the Hajji Baba Club, Philadelphia, 1996, no. 33, p. 38
Exhibited
Munich 1910
Textile Museum, 1960, Label on reverse: 24.60 H.B. Exh
Baruch College, New York, 1996, in conjunction with the 8th International Conference on Oriental Carpets

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Lot Essay

Warp: silk, Z2S, ivory, natural
Weft: cotton, Z2S, tan, natural, 2 or mostly 3 shoots alternating
Pile: wool, Z2S, asymmetrical knot open left; gilt silver (mostly worn) over pale gold silk; silk, ivory, Z1, weft faced plain weave

The knot count is approximately 17-18H x 16V.

This fragment demonstrates the exquisite skill of the weavers in the royal workshops of Isfahan in the late 16th century. Woven very finely, on silk warps, with very soft lustrous wool for most of the rich colors and silk for the very white parts, the design uses considerable amounts of silver thread, particularly for the palmettes and cloud band motifs. The shimmering effect when it was first made must have dazzled the viewer at a time when Shah Abbas was rapidly enhancing and opening up his capital to visitors from foreign countries.

Its design must originally have been very similar to that of a carpet formerly in the Rothschild Collection, and most recently in the collection of Gordon P. Getty, sold Sotheby's New York, 1 February 2013, lot 22. That example is incredibly impressive, but the present one would have been even more so with its addition of metal-thread.

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