AN ATTIC BLACK-FIGURED AMPHORA
AN ATTIC BLACK-FIGURED AMPHORA

ATTRIBUTED TO THE PAINTER OF LOUVRE F6, CIRCA 560-550 B.C.

Details
AN ATTIC BLACK-FIGURED AMPHORA
ATTRIBUTED TO THE PAINTER OF LOUVRE F6, CIRCA 560-550 B.C.
Each side with Pegasos in profile to the right between a standing bearded man and a youth, Pegasos with an upraised sickle-shaped wing, wearing a bridle, both onlookers wearing a himation patterned with broad red bands alternating with rows of white circles, a fillet in the hair on one side, their positions reversed on the other; one side with a bird flying to the left below Pegasos, the other side with a folded cloth; a band of ivy leaves and dots above, rays above the foot, details in added red and white, graffiti and dipinti on the underside of the foot
13 ¾ in. (34.9 cm.) high
Provenance
William Randolph Hearst (1863-1951), San Simeon, California.
Works of Art, Furniture & Architectural Elements Collected by the Late William Randolph Hearst, Parke-Bernet, New York, 5-6 April 1963, lot 95.
Countess d'Escayrac, Gingins, Vaud, Switzerland, acquired from the above in 1963; thence by descent.
Literature
J.D. Beazley, Attic Black Figure Vase-Painters, Oxford, 1956, p. 128, no. 181.
J.D. Beazley, Paralipomena, Oxford, 1971, p. 51, no. 81.
J. Dorig, ed., Art Antique, Collections privées de Suisse Romande, Geneva, 1975, no. 162.
T.H. Carpenter, ed., Beazley Addenda, Oxford, 1979, p. 34, no. 128.81.
Beazley Archive Database no. 300977.
Exhibited
New York, The Metropolitan Museum of Art, June-September 1963.
Geneva, Musée Rath, Art Antique, Collections privées de Suisse Romande, 1975.

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Lot Essay

William Randolph Hearst was a voracious collector of Greek vases. According to D. von Bothmer, "the vases at San Simeon numbered more than four hundred and formed the biggest private collection of ancient pottery assembled in this century. For its peers in scope and quality one has to go back to the nineteenth century and compare the Hearst collection with those that bear the name of Thomas Hope, Samuel Rogers, or Count Pourtalès-Gorgier. Yet the achievements of Hearst as a collector are the more remarkable as one recalls how his vases were acquired. They were bought at auction in New York and London and on the continent or through the noted antiquarians Joseph Brummer, Jacob Hirsch, and Spink & Sons. The two factors that had given earlier collectors their critical advantage, namely low prices and free export from Greece and Italy, no longer existed." (see p. 167 in D. von Bothmer, "Greek Vases from the Hearst Collection," Bulletin, The Metropolitan Museum of Art, vol. XV, no. 7, 1957). Some of the vases are still on display at San Simeon, many others were acquired by The Metropolitan Museum of Art, and still others were sold at auction at Parke-Bernet in 1963, including the present example.

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