GRANDE STATUE DE CHAMEAU EN TERRE CUITE EMAILLEE
GRANDE STATUE DE CHAMEAU EN TERRE CUITE EMAILLEE

CHINE, DYNASTIE TANG, FIN DU VIIEME-MILIEU DU VIIIEME SIECLE

Details
GRANDE STATUE DE CHAMEAU EN TERRE CUITE EMAILLEE
CHINE, DYNASTIE TANG, FIN DU VIIEME-MILIEU DU VIIIEME SIECLE
The camel is well modelled standing foursquare, with two tall humps swaying to either side of the body, and its head tilted upwards and its mouth held open to reveal its curled tongue and sharp teeth. It is covered in a glaze of straw tone, with the humps, neck and legs picked out in streaked dark chestnut; minor chips.
34 5/8 in. (88 cm.) high
Literature
Ancient Chinese bronzes and ceramics, 23rd March – 3 April 1999, Eskenazi, New York, number 16.
Exhibited
Eskenazi Ltd. at Pacewildenstein, New York, 1999.
Further details
A LARGE GLAZED POTTERY FIGURE OF A CAMEL
CHINA, TANG DYNASTY, EARLY 7TH-MID 8TH CENTURY

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Fiona Braslau
Fiona Braslau

Lot Essay

The current camel is rare and impressive due to its large size. Bactrian camel was not orginally from China. See Ezekiel Schloss, Ancient Chinese Ceramic Sculpture, Stamford, Connecticut, 1977, vol. I, pl. 220, where he discusses the importation of tens of thousands of camels from the states of the Tarim Basin, Eastern Turkestan and Mongolia. The Tang state even created a special courier service for the northern frontier. The camel was also used by the court and the merchants for local transportation and, of course, were the 'ships of the desert' linking China to the oasis cities of central Asia, Samarkand, Persia and Syria.

For other large braying camels standing foursquare, with various stylistic differences, but monster-mask packs, see Tang Sancai, Heibonsha Series, Japan, 1977, vol. 35, fig. 101; Sekai toji zenshu, Tokyo, 1961, vol. 9, pl. 126; and S. Valenstein, The Herzman Collection of Chinese Ceramics, The Metropolitan Museum of Art, New York, 1992, no. 22

Oxford thermoluminescence test no. C199F73, 12 March 1999, is consistent with the dating of this lot.

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