Ginés Parra (1896-1960)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION 
Ginés Parra (1896-1960)

La casa solitaria

Details
Ginés Parra (1896-1960)
La casa solitaria
signed 'PARRA' (lower left)
oil on canvas
19 3/4 x 24 in. (50.2 x 61 cm.)
Painted circa 1945
Provenance
Acquired directly from the artist and thence by descent to the present owner.
Exhibited
Perth, Art Gallery of Western Australia, Ginés Parra, February - March 1973, no. 10.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Lot Essay

Born Jose Parra Menchon, known as Ginés Parra, was one of a group of important Spanish artists fundamental in the avant-garde formation of the École de Paris, which also included Pablo Picasso, Antoni Clavé, Francisco Bores and Joaquín Peinado. Having spent his childhood in North Africa, Parra studied at the Art Students League in New York, a progressive artist-run art school, which gave shape to his early formation of ideas. Later, he enrolled in the École Nationale des Beaux-Arts in Paris where he developed further under the tutelage of Lucien Simon and Louis Roger. Parra’s mature style explored both Fauvist and Cubist possibilities, the former emphasising dramatic colour, the latter interpreting three dimensional reality into a two dimensional canvas with the use of dynamic line and form. His heavy use of impasto and black outline also conjures the influence of Cézanne and Rouault. Parra exhibited at the Société Nationale des Beaux-Arts, the Salon d’Automne and the Salon des Indépendants, and throughout Europe during his lifetime. Since then, he continues to hold an international interest with two significant retrospectives held in London in 1971 and in Australia in 1973.

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