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Lucio Fontana (1899-1968)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Antony Gormley (b. 1950)

Shrive X (Twisted)

Details
Antony Gormley (b. 1950)
Shrive X (Twisted)
cast iron
70 1/8 x 20 1/8 x 16 1/8in. (178 x 51 x 41cm.)
Executed in 2010
Provenance
Galerie Thaddaeus Ropac, Paris.
Acquired from the above by the present owner in 2012.
Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Sale room notice
Please note that this work can be exhibited outdoors.

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Annemijn van Grimbergen
Annemijn van Grimbergen

Lot Essay

ANTONY GORMLEY
DISCUSSES SHRIVE X (TWISTED)

This work is rare - standing at the interface between two discrete sculptural investigations : the ‘Blockwork’ and ‘Beamer’ series that both investigate different part to whole construction strategies. Shrive X Twisted involves the languages of both in its fabrication.

Long beams of the same section as the blocks extend the proportions of the elements of earlier blockworks. This helps to make cantilevers more extreme but is also an attempt to deconstruct mass. This is particularly in evidence at the core of this bodyform where, when viewed from the side, the work divides, separated by two beams seen end on.

Using beams allows for a more extreme form construction making a sculpture stronger and more precarious at the same time. The gaps between the blocks become more important and allow the body to be more porous: space to interrogate mass.

The tension in this work is between its vulnerability and its robustness, carried in the twist, the rupturing of the silhouette and the dark voids in the interior of the torso.

In treating the body as a provisional building, I interrogate the relationship between urban man and inner nature.

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