A PAIR OF NORTH ITALIAN FRUITWOOD AND BOXWOOD MARQUETRY AND TULIPWOOD-CROSSBANDED, ROSEWOOD AND KINGWOOD COMMODES
Prospective purchasers are advised that several co… Read more
A PAIR OF NORTH ITALIAN FRUITWOOD AND BOXWOOD MARQUETRY AND TULIPWOOD-CROSSBANDED, ROSEWOOD AND KINGWOOD COMMODES

CIRCA 1790, PROBABLY LOMBARD, IN THE MANNER OF GIUSEPPE MAGGIOLINI

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A PAIR OF NORTH ITALIAN FRUITWOOD AND BOXWOOD MARQUETRY AND TULIPWOOD-CROSSBANDED, ROSEWOOD AND KINGWOOD COMMODES
CIRCA 1790, PROBABLY LOMBARD, IN THE MANNER OF GIUSEPPE MAGGIOLINI
The quarter-veneered tops inlaid with scrolling foliate arabesque patterns above a shallow frieze drawer and two further deep drawers decorated sans traverse with birds amongst conforming foliate marquetry, the end panels similarly decorated, on tapering square legs, one inscribed '3', restorations
34 in. (87 cm.) high; 50 ½ in. (128 cm.) wide; 23 ¼ in. (59 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Adrian Hume Sayer
Adrian Hume Sayer

Lot Essay

Giuseppe Maggiolini (1738-1814) ranks as perhaps the most celebrated Italian cabinet-maker. Credited with producing fine marquetry in his distinctive neoclassical style, Maggiolini worked extensively for the aristocracy in Northern Italy, including Marchese Litta, who, along with the painter-architect Guiseppe Levati, first recognised his talents as an intarsiatore in the 1760s. His many projects included the furnishing of the Palazzo Ducale in Milan, the Villa Reale in Monza and the Palazzo Ducale in Mantua. He also worked extensively for the Austrian Governor General of Milan, Archduke Ferdinand, to whom he also supplied furniture destined for Stanislas Poniatowski and for Elizabeth of Russia. A cabinet-on-commode of extremely closely related design, exhibiting very similar marquetry to the commode section is illustrated in G. Morazzoni, Il Mobile Intarsiato di Giuseppi Maggiolini, Milan, 1957; two further commodes of near identical design are illustrated, J. Mainar and J. Echalecu, exhibition catalogue, Mobiliari del Segle XVIII, Sala d'Art Daedalus, Barcelona, 1979, pp. 22 & 23, nos. 15 & 16, where their origin is suggested as Genoa.

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