George Grosz (1893-1959)
On occasion, Christie's has a direct financial int… Read more Property from an Important New York Collection
George Grosz (1893-1959)

Nightmare

Details
George Grosz (1893-1959)
Nightmare
signed and dated 'Grosz-52' (lower left)
oil, gouache, watercolor, pen and brush and India ink on paper
19 x 25 ¾ in. (48.1 x 65.4 cm.)
Executed in 1952
Provenance
Vera Lazuk Gallery, Cold Spring Harbor, New York.
Acquired from the above by the present owner, circa 1970.
Special notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

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Vanessa Fusco
Vanessa Fusco

Lot Essay

Ralph Jentsch has confirmed the authenticity of this work.

Nightmare depicts the artist’s wife, Eva, surrounded by a stormy fire and the threat of terrifying shadows. What should have been a peaceful modeling session has erupted into chaos, the wind carrying her hat away and the canvas of the painting torn apart. Eva remains calm and seemingly unafraid amidst this nightmare. Grosz writes in 1946 to his aunt in Berlin: “Renoir never had the vision of a woman burned, crazed or destroyed…my world is more a gloomy, a haunted one. But here and there…there are areas without fear, pain and war, areas where nymphs live, where there is a sensuality of its own.” When asked if there is hope for the future, Grosz replied: “I do not know. Perhaps the Woman is the answer, for when I paint the Woman she stands solid and unafraid, sensual and warm, above the chaos.”

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