Ceri Richards (1903-1971)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Ceri Richards (1903-1971)

Tinplate workers, with furnaceman mopping his brow

Details
Ceri Richards (1903-1971)
Tinplate workers, with furnaceman mopping his brow
signed and dated twice 'Ceri Richards/1942' (lower right)
ink, pastel and gouache
21 ¼ x 28 ½ in. (53.8 x 72 cm.)
Provenance
John Ormond, Cardiff, by 1973.
Exhibited
Cardiff, National Museum of Wales, Welsh Arts Council, Ceri Richards Memorial Exhibition, June - July 1973, no. 45: this exhibition travelled to Swansea, Glynn Vivian Art Gallery, July - August; and Conway, Royal Cambrian Academy, September.
London, Tate Gallery, Ceri Richards, July - September 1981, no. 94 XVI: this exhibition travelled to Swansea, Glynn Vivian Art Galley, October - November 1981.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Pippa Jacomb
Pippa Jacomb

Lot Essay

Ceri Richards' extensive body of paintings, works on paper and sculpture confront the experiences integral to human existence, often exploring the mythology of his native land and a variety of European artistic techniques. Tinplate workers, with Furnaceman mopping his brow is a strong and emblematic example from his series of works depicting the tinplate workers at the Gowerton mill in Wales. The series was commissioned by the Ministry of Information to document the workers at the very mill where his father had laboured throughout Ceri’s life.

Richards worked on the series from a collection of in situ sketchbook studies, producing both informative and emotive works on paper. His colour palette was comprised of blacks, greys, purples and blues against tawny hues. The darker shades convey the lack of natural daylight in the mill, whilst the warmer organic tones reflect the sturdy brick walls of the mill and the practical, hard wearing clothing of the workers. As the central figure mops his brow, he is conveyed with sympathy and compassion.

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