The Monogrammist H.W., possibly Hans Wolf (active ?Bamberg and Nuremburg c. 1511-1539)
PROPERTY OF THE HEIRS OF DR. CARL GOTTHELF IMMANUEL FRIEDLÄNDER
The Monogrammist H.W., possibly Hans Wolf (active ?Bamberg and Nuremburg c. 1511-1539)

Portrait of a lady, half-length, in a red dress with fur cuffs, a hat and a gold chain

Details
The Monogrammist H.W., possibly Hans Wolf (active ?Bamberg and Nuremburg c. 1511-1539)
Portrait of a lady, half-length, in a red dress with fur cuffs, a hat and a gold chain
signed with monogram and dated '·1536· / ·H·W·' (upper right)
oil on panel
21¼ x 16 3/8 in. (53.9 x 41.6 cm.)
with an unidentified collector's seal on the reverse of the panel
Provenance
Dr. Gotthelf Meyer, Vienna, by 1904, and by descent to,
Anna Meyer (d. 1938), Vienna, by whom bequeathed in 1938 to her nephew,
Dr. Carl Gotthelf Immanuel Friedländer, Zurich.
Confiscated in 1939 by the Nazi authorities (Wiener Magistrat) and banned from export.
Purchased in 1940 by Franz Hofer (Gauleiter for Tyrol and Vorarlberg) for the Tiroler Landesmuseum Ferdinandeum (inv. no. Gem.1929).
Restituted to the heirs of Dr. Carl Gotthelf Immanuel Friedländer in June 2009.

Literature
T.V. Frimmel, Blätter für Gemäldekunde, 1904, VII, p. 126, as ‘Hans Wertinger’, illustrated.
K. Feuchtmayr, ‘Wertinger, Hans’, in U. Thieme and F. Becker, Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart, XXXV, 1942, p. 429, under ‘Falsche Zuschreibungen’.
K. Löcher, ‘Nürnberger Bildnisse nach 1520’, in M. Lisner and R. Becksmann, eds., Kunstgeschichtliche Studien für Kurt Bauch zum 70sten Geburtstag, Munich and Berlin, 1967, p. 122.
K. Löcher, ‘Ein Bildnis der Anna Dürer in der Sammlung Thyssen-Bornemisza’, in Wallraf-Richartz-Jahrbuch, Westdeutsches Jahrbuch für Kunstgeschichte, Cologne, XXXIX, 1997, p. 88, note 23.

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Maja Markovic
Maja Markovic

Lot Essay

First published in 1904 as an addition to the corpus of Hans Wertinger, it was not until 1942 that Karl Feuchtmayr (op. cit.) recognised that this portrait’s date of 1536 places it outside that artist’s lifetime (c. 1465/70- 1533). In 1967, Dr. Kurt Löcher grouped it with several other pictures bearing the analogous initials H.W., creating a corpus for an anonymous Monogrammist H.W. active in Nuremburg (op. cit.). The corpus included a betrothal portrait pair dated 1534 (Uppsala, attributed to the master by Ernst Buchner) and a child portrait dated 1539. In 1997, Löcher proposed that the Monogrammist H.W. might be a Bamberg painter called Hans Wolf (op. cit.). We are grateful to Dr. Löcher for his assistance in cataloguing this lot.

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