Details
A GEORGE III GILTWOOD MIRROR
CIRCA 1760
The shaped rectangular plate within a pierced frame carved with rocaille, foliate scrolls and flower heads, surmounted by conforming interlaced scrolls and a basket of flowers above a trellis-panel to the apron, indistinct pencil inscription to the reverse 'Young[?]...1876', minor restorations, re-gilt
74 x 37 ¾ in. (188 x 96 cm.)

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Katharine Cooke
Katharine Cooke

Lot Essay

The form and ornamentation of this delicately carved Rococo pier glass in the ‘French’ or ‘Modern’ style is derived from a number of sources including Lock & Copeland’s A New Book of Ornaments (1752), Chippendale’s Director (1754, 55 and 62), and Thomas Johnson’s One Hundred & Fifty New Designs (1761). The ornately carved flower-filled panier recalls the oeuvre of William (d. 1763) and John Linnell (d. 1796), in particular a design for a pier-glass, circa 1755-60, a pair of pier mirrors commissioned by Sir Monoux Cope, 7th Baronet, for Bramshill, Hampshire, and an overmantel mirror supplied to George William Coventry, 6th Earl of Coventry for Croome Court, sold ‘Mount Congreve’, Christie’s, 23 May 2012, lot 100 (H. Hayward, P. Kirkham, William and John Linnell, London, 1980, p. 98, fig. 188; V E.205 1929).

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