Rembrandt Harmensz. van Rijn
Rembrandt Harmensz. van Rijn

The Angel departing from the Family of Tobias

Details
Rembrandt Harmensz. van Rijn
The Angel departing from the Family of Tobias
etching and drypoint, 1641, on laid paper, without watermark, a fine impression of New Hollstein's second state (of eight), trimmed to or just outside the platemark, in very good condition
Plate & Sheet 105 x 156 mm.
Provenance
With Colnaghi, London.
Acquired from the above, 28 February 1962 (£65).
Literature
Bartsch, Hollstein 43; Hind 185; New Hollstein 189 (II/8).

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Maya Jelbart
Maya Jelbart

Lot Essay

This particular moment in the story of Tobit presents a challenge for the artist choosing to depict it: as the angel Raphael reveals himself to the father and his son Tobias, they both bow their heads to the ground in fear. When they look up again, the Angel has disappeared. He is there one moment and gone the next. Inventively, Rembrandt only shows the soles of the feet of the Angel as he disappears out of the picture plane in a blaze of light. This fine impression of the second state perfectly captures this light effect, which is lost in later impressions, as well as the variety of sentiments of those present at this scene: humility in the figure of Tobias, gratitude in the figure of Tobit, and curiosity and startled amazement in the onlookers. 

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