A FINE SANDSTONE LION
A FINE SANDSTONE LION
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A FINE SANDSTONE LION

CAMBODIA, KHMER, KOH KER PERIOD, 10TH CENTURY

Details
A FINE SANDSTONE LION
CAMBODIA, KHMER, KOH KER PERIOD, 10TH CENTURY
Carved in squatted posture on a rectangular plinth, his head with open mouth showing teeth and fangs, with bulging eyes, the curls of the mane cascading down the back, with upturned tail carved over his back
28 ½ in. (72 cm.) high
Provenance
Acquired in Bangkok, 18 October 1973.

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Alexandra Cruden
Alexandra Cruden

Lot Essay

This exquisite lion figure once graced a temple compound. The lion was not indigenous to Cambodia and the artist had to base
his designs on drawings, smaller sculpted examples or just his imagination. The lion was considered an emblem of royalty. The concept came from ancient India where pillars supported by seated lions already existed before the Christian era. Stone lions in Khmer art can be encountered in various poses, seated, standing, walking and even rearing up. This strong example, with its long tightly-curled mane, can be dated to the Koh Ker period, rather than the more fowing manes of successive centuries. A later and larger example is illustrated in P. Pal Art from Sri Lanka and Southeast Asia: Asian Art at the Norton Simon Museum, Pasadena, 2003, vol. 3, pl. 170.

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