A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE
A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE
A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE
A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE
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Prospective purchasers are advised that several co… Read more THE PROPERTY OF A LADY
A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE

ATTRIBUTED TO FERDINAND BARBEDIENNE, PARIS, CIRCA 1870

Details
A NAPOLEON III ORMOLU AND LAPIS LAZULI-MOUNTED IVORY, COPPER AND PEWTER-INLAID EBONY DRESSING TABLE
ATTRIBUTED TO FERDINAND BARBEDIENNE, PARIS, CIRCA 1870
Surmounted by a mirror flanked by putti candelabra above a marble dish and a top inlaid with chimera and arabesques, two frieze drawers, on four legs joined by a stretcher
67 ¼ in (170.5 cm.) high; 37 ¼ in. (94.5 cm.) wide; 20 5/8 in. (52.5 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Adam Kulewicz
Adam Kulewicz

Lot Essay

Of complex form and rich design, this remarkable dressing table is fully evocative of the grand furniture produced for the celebrated International Exhibitions of the second half of the 19th century. Its combination of fine materials – exquisitely chased bronze, lapis lazuli panels and ivory inlay – evokes the luxurious tastes of the era, harmoniously incorporating artistic influences of the Renaissance and Ancien Régime into a work clearly produced with the ever-advancing technologies of the Belle Époque. This table most readily relates to the celebrated table de toilette shown by Christofle at the 1867 Exposition universelle and today in the Musée des arts-décoratifs, Paris (33777). The Christofle table, with its delicately sculpted figures and elaborate decoration, is the result of an artistic collaboration: the design was realized by by Émile Reiber (1826-1893), the sculpted caryatids by Albert Ernest Carrier-Belleuse (1824-1887) and the luxurious ornamentation by Joseph Chéret (1838-1894). The same could be suggested of the present lot whose figures bespeak the hand of one of the finest sculptors of the Second Empire and whose intricate decoration and precise construction were no doubt the result of a similarly successful artistic partnership.

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