RARE ET IMPORTANTE PAIRE DE SELLETTES EN LAQUE ROUGE, XIANGJI
RARE ET IMPORTANTE PAIRE DE SELLETTES EN LAQUE ROUGE, XIANGJI

CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)

Details
RARE ET IMPORTANTE PAIRE DE SELLETTES EN LAQUE ROUGE, XIANGJI
CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)
The almost square stand is superbly carved through the cinnabar-red lacquer. The lobed top is incised with a stylised floral pattern, and is supported on a high waist decorated with the Eight Buddhist Emblems against tumultuous waves, joined by a shaped apron and four tapering cabriole legs carved in low and high relief, all decorated with confronting dragons chasing the flaming pearl. The legs terminate in scroll feet formed by ruyi clouds, joined by a low base formed by four shaped stretchers.
34 7/8 in. (88.5 cm.) high, 19 5/8 in. (50 cm.) wide
Provenance
Property from a French private collection, acquired in Paris in the 1980s.
Further details
A RARE AND IMPORTANT PAIR OF CINNABAR LACQUER 'DRAGON' INCENSE STANDS, XIANGJI
CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)

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Fiona Braslau
Fiona Braslau

Lot Essay

The common name xiangji reflects the traditional use as a platform for burning fragrant incense - a traditional ritual for contact with the spiritual world. In addition to this primary use, stands such as the present lot were used to elevate decorative objects such as scholar's rocks, potted plants or vases, and have played an important role in the presentation of both artistic and functional objects for centuries. The elegant form of the present lot relates closely to a Ming dynasty huanghuali incense stand preserved in the Palace Museum, illustrated in The Complete Collection of Treasures of the Palace Museum: Furniture of the Ming and Qing Dynasties (I), Hong Kong, 2002, p. 193, pl. 164 (fig. 1). This pair of cinnabar lacquer incense stands clearly fits into to the greatest period of Qing carved-lacquer production. The quality and the complexity of dragons, clouds and waves throughout the multiple surfaces clearly embody the virtuosity of one of the last few carved-lacquer masters.

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