A LOUIS XV THREE-COLOUR GOLD AND HARDSTONE SNUFF-BOX SET WITH A PORTRAIT MINIATURE OF QUEEN MARIE-ANTOINETTE OF FRANCE
A LOUIS XV THREE-COLOUR GOLD AND HARDSTONE SNUFF-BOX SET WITH A PORTRAIT MINIATURE OF QUEEN MARIE-ANTOINETTE OF FRANCE
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Prospective purchasers are advised that several co… Read more
A LOUIS XV THREE-COLOUR GOLD AND HARDSTONE SNUFF-BOX SET WITH A PORTRAIT MINIATURE OF QUEEN MARIE-ANTOINETTE OF FRANCE

BY JEAN-FRANÇOIS BRETON (FL. 1737-1791), MARKED, PARIS, 1766/1767, WITH THE CHARGE AND DECHARGE MARKS OF JEAN-JACQUES PREVOST 1762-1768

Details
A LOUIS XV THREE-COLOUR GOLD AND HARDSTONE SNUFF-BOX SET WITH A PORTRAIT MINIATURE OF QUEEN MARIE-ANTOINETTE OF FRANCE
BY JEAN-FRANÇOIS BRETON (FL. 1737-1791), MARKED, PARIS, 1766/1767, WITH THE CHARGE AND DECHARGE MARKS OF JEAN-JACQUES PREVOST 1762-1768
oval box, the cover inset with a slightly later portrait miniature, on ivory, by François Dumont (French 1751-1831) of Queen Marie-Antoinette (1755-1793), the cover, sides and base inset with shaped segments of polished cloudy orange-brown agate over foil, between chased gold strips, within slightly raised vari-colour chased gold foliate outer borders
3 1/8 in. (78 mm.) wide
The box is reputed to have belonged at one time to Empress Eugenie of France (1826-1920), consort of Emperor Napoleon III of France.
Provenance
Sotheby's, Geneva, 12 November 1980, lot 91.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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David McLachlan
David McLachlan

Lot Essay

François Dumont was one of the greatest and most sought after miniaturists in France during 18th century. He painted a number of portrait miniatures of the Queen from the late 1770s onwards and he became her official court painter. Because of his elevated position at the court of Louis XVI, he was imprisoned during the French Revolution but was released on the fall of Robespierre in 1794. On the Bourbon Restoration he continued to paint for Charles X and King Louis XVIII. Other patrons included prominent artists, musicians and performers of his day.

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