Lot Essay
Tommaso Rues was a German sculptor, born in South Tyrol, who became one of the most significant artists working in Venice in the second half of the seventeenth century. The present relief shares very close stylistic similarities to the artist's documented work, in particular a marble relief of Christ and the Veronica (1582) carved for the high altar at Il Redentore, Venice, with a comparable architectural backdrop and characterisation of the faces, betraying Rues' Germanic upbringing. Rues earned commissions from significant patrons at home in Venice and from dignitaries abroad, including the future Doge Francesco Morosini, the Dukes of Saxony and the Prince of Radziwill.