A Raja and Rani Watching Fireworks
Lots which are Art Treasures under the Art and Ant… Read more Registered Antiquity – Non-Exportable
A Raja and Rani Watching Fireworks

Devgarh, Rajasthan, north India, circa 1815

Details
A Raja and Rani Watching Fireworks
Devgarh, Rajasthan, north India, circa 1815
The richly garbed couple standing on a marble terrace, he with a white halo echoing the moon, holding a flower and his arm around the maiden, she gesturing to the fireworks, against a starry sky with a new moon depicted twice to show the passing of time
Opaque pigments and gold on paper
8 7/8 x 5 ½ in. (22.5 x 14 cm.)
Provenance
Collection of Colonel RK Tandan, Hyderabad, by 1982
Private collection, Delhi
Literature
RK Tandan, Indian Miniature Painting, 16th through 19th Centuries, Bangalore, 1982, p.114 and fig.158
Special notice
Lots which are Art Treasures under the Art and Antiquities Act 1972 cannot be exported outside India. Please note that lots are marked as a convenience to you and we shall not be liable for any errors in, or failure to, mark any lot.

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Umah Jacob
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Lot Essay

In the publication, this work is captioned as "The occasion seems to be Deepavali."

Devgarh where this painting was executed was a feudal state of Mewar and a place of active court patronage. Prominent artists such as Bagta and Chokha (flourished 1799-1826) worked both at Devgarh and Udaipur in the late 18th and early 19th century. A well-known painting in the Victoria and Albert Museum, London of Captain James Tod(d?) riding with Rawat Gokul Das (of Devgarh), dated 1817, was created at Udaipur although under Devgarh patronage (IM.447-1914). As Milo Cleveland Beach notes ‘[Devgarh’s] cultural character was determined by the standards set at Udaipur’ (Milo Cleveland Beach, Rawat Nahar Singh II, Rajasthani Painters, Bagta and Chokha, Master Artists at Devgarh, Zurich, 2005, p.21).
Playing with or watching fireworks seems to have been a favourite entertainment at court or in the intimacy of the zenana throughout the 18th and early 19th centuries. The subject was particularly popular in provincial Mughal paintings. Of course it is also associated with Diwali, the festival of lights. Many paintings are known such as one formerly in the Khosrovani-Diba Collection, recently sold at Sotheby’s, London, 19 October 2016, lot 17 and one in the Sarabhai Foundation, Ahmedabad (B.N. Goswamy, Indian Paintings in the Sarabhai Foundation, Ahmedabad, 2010, R.13, p.132).

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