A LOUIS XVI GILTWOOD CANAPE
This lot is offered without reserve. Please note … Read more
A LOUIS XVI GILTWOOD CANAPE

ATTRIBUTED TO JEAN-BAPTISTE SENE, CIRCA 1770-1775

Details
A LOUIS XVI GILTWOOD CANAPE
ATTRIBUTED TO JEAN-BAPTISTE SENE, CIRCA 1770-1775
Special notice
This lot is offered without reserve. Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

This canapé was originally en suite with a grey-painted fauteuil stamped by Jean-Baptiste Sené, sold at Christie's Monaco, 12 December 1999, lot 870. The sprung upholstery of this example prevents full examination for the presence of a stamp.

Jean-Baptiste Sené (1748-1803) dominated the production of menuiserie in Paris during the last years of the ancien régime. His principal clients were the King and the Queen and from 1785-1791 he provided seat-furniture, beds, consoles, folding stools, footstools, screens, etc. for Fontainebleau, The Tuileries, Versailles and particularly Saint-Cloud. Sené is known to have sub-contracted the carving of much of his Royal commisions to his favorite sculpteurs, Pierre Laurent, Nicolas Vallois and Alexandre Régnier, and the gilding to Louis Chatard - who seems to have enjoyed a virtual monopoly on pieces destined for the Royal family.

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