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Nasrollah Afjehei (Iranian, b. 1933)
Buyers of imported objects collected or shipped wi… Read more
Nasrollah Afjehei (Iranian, b. 1933)

Untitled

Details
Nasrollah Afjehei (Iranian, b. 1933)
Untitled
signed in Farsi and signed 'Afjei' (lower right)
acrylic and ink on canvas
66 ¾ x 66 ¾in. (169.5 x 169.5cm.)
Painted in 2014
Provenance
Acquired directly from the artist by the present owner.
Special Notice

Buyers of imported objects collected or shipped within the GCC (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, UAE) are subject to a 5% import duty on the low estimate (identified by the symbol * in the catalogue). For GCC buyers, please note that duty is paid at origin (In Dubai) and not in the importing country. As such, duty paid in Dubai is treated as final duty payment as per GCC’s custom laws. It is the buyers’ responsibility to ascertain and pay all taxes due. For more information, please contact Buyer Payments at +971 (0)4 425 5647.

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Lot Essay

In his calligraphy paintings, Nasrollah Afjehei engages in a visual language significantly influenced by structural calculations and by the use of calligraphy in architecture that has long been a staple in Islamic art. In this whirlwind wave of letters, the words the artist expresses are indecipherable and the use of green hues suggests a naturalistic connection. The composition, like a colossal leaf, induces a feeling of peace and serenity that is derived from nature and a connection to the natural world. Through the twisting letters, like leaves and twigs that are blowing in the wind, the viewer reaches spiritual
enlightenment.
The significance of the present work lies in the artist's ability to create abstract forms and lines, by endlessly repeating letters. The written word has historically been used as a tool for the documentation and transfer of knowledge and emotions and each written piece, before even being read, holds intellectual and emotional significance. The presence of written words in an artistic creation,
let alone in the art of calligraphy, places the present work in a symbolic order of meaning and as such, Nasrollah Afjehei pushes the viewer to embark on a captivating spiritual journey.

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