Sir William Nicholson (1872-1949)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Sir William Nicholson (1872-1949)

Joseph Gilstrap Branston

Details
Sir William Nicholson (1872-1949)
Joseph Gilstrap Branston
signed and dated 'W. N. P. Nicholson/July/91' (lower right)
oil on canvas
30¼ x 25 7/8 in. (77 x 65.6 cm.)
Provenance
Commissioned by the sitter, and by descent.
Anonymous sale; Sotheby's, London, 12 February 1975, lot 23, where purchased by Underhill.
Anonymous sale; Christie's, South Kensington, 23 January 1992, lot 58.
Literature
L. Browse, William Nicholson, London, 1956, p. 37, no. 16.
P. Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings, London, 2011, p. 50, no. 11, illustrated.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Lot Essay

Joseph Gilstrap Branston (1838-1926) was a notable figure and member of the financial élite of maltsers in Newark, Nottinghamshire. Branston's local prominence is notable in the commissioning of this portrait, he often declared 'My hobby has always been town improvements for the good of us all' (see P. Reed, loc. cit.).

More from Modern British & Irish Art

View All
View All