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Lot Essay
The shape of this bowl and the design in underglaze blue comprised of varying floral sprays are inspired by a Xuande prototype, such as the example in the National Palace Museum, Taipei, illustrated in Catalogue of the Special Exhibition of Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998, pp. 178-9, no. 62. The addition of a yellow enamel ground to this design and shape was an innovation of the imperial kilns at Jingdezhen during the Yongzheng period. In his Taocheng jishi, 'Account of Porcelain Achievement', compiled in 1735, Tang Ying includes a list of fifty-seven types of wares supplied to the court, one of which was described as 'Xuande-style design on yellow ground', and noted to be a newly developed category of the period.
Similar Qianlong-marked bowls are found in the Qing Court Collection and international museums. The National Palace Museum, Taipei, has nine examples listed on the online archive, museum numbers: zhongci 003353N-003361N. Another example is in the Baur Foundation, illustrated by J. Ayers in The Baur Collection Geneva, vol. IV, Geneva, 1974, no. A584; another in the Nanjing Museum, included in the exhibition catalogue Qing Imperial Porcelain, Hong Kong, 1995, no. 79, and again illustrated in The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p. 216.
Similar Qianlong-marked bowls are found in the Qing Court Collection and international museums. The National Palace Museum, Taipei, has nine examples listed on the online archive, museum numbers: zhongci 003353N-003361N. Another example is in the Baur Foundation, illustrated by J. Ayers in The Baur Collection Geneva, vol. IV, Geneva, 1974, no. A584; another in the Nanjing Museum, included in the exhibition catalogue Qing Imperial Porcelain, Hong Kong, 1995, no. 79, and again illustrated in The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p. 216.