A SET OF FOUR GEORGE III GREY AND BLUE-PAINTED HALL CHAIRS
Specified lots (sold and unsold) marked with a fil… Read more PROPERTY FROM THE DESCENDANTS OF FIELD MARSHAL WILLIAM RIDDELL BIRDWOOD, 1ST BARON (1865-1951)
A SET OF FOUR GEORGE III GREY AND BLUE-PAINTED HALL CHAIRS

CIRCA 1770, ATTRIBUTED TO THOMAS CHIPPENDALE

Details
A SET OF FOUR GEORGE III GREY AND BLUE-PAINTED HALL CHAIRS
CIRCA 1770, ATTRIBUTED TO THOMAS CHIPPENDALE
Each chair with green upholstered seat cushion
39 ½ in. (105 cm.) high; 20 in. (51 cm.); 19 ¼ in. (49 cm.) deep
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Sale room notice
The attribution for this lot should read Circa 1770, Attributed to Thomas Chippendale and not as printed in the catalogue

Lot Essay

The design for this set of hall chairs was possibly inspired by eight carved and painted hall chairs, almost certainly supplied by Thomas Chippendale (d. 1779) to the Lascelles family for Harewood House in circa 1770, and to a further set of eight virtually identical chairs circa 1775 to the Harewood set in the collection of Sir Rowland Winn at Nostell Priory, Yorkshire (illustrated C. Gilbert, The Life & Work of Thomas Chippendale, vol. II, London, 1978, p. 97, figs. 157-159). Conforming to the 'mature Neo-Classical idiom', the Chippendale chairs have similar circular seat backs above 'altar' plinths, and were originally japanned or painted (ibid., vol. I, p. 199). Related sets of hall chairs include another set of ten with the crest and initials of Sir Gilbert Heathcote, probably by Thomas Chippendale, and formerly at Normanton Hall (ibid., vol. II, p. 96, fig. 154). A comparable set of four mahogany and painted hall chairs, in the manner of Thomas Chippendale, sold Sotheby's, London, 14 July 2010 (£30,000).

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