A GUAN-TYPE TRILOBED DOUBLE-GOURD-FORM VASE
Prospective purchasers are advised that several co… Read more PROPERTY OF AN ENGLISH GENTLEMAN OF TITLE
A GUAN-TYPE TRILOBED DOUBLE-GOURD-FORM VASE

QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

Details
A GUAN-TYPE TRILOBED DOUBLE-GOURD-FORM VASE
QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
The vase is well potted in the form of three conjoined double-gourds, with the three-lobed body rising to the conforming necks, applied overall with a pale greyish-blue glaze suffused with faint broad crackles. The short trefoil foot is dressed with a brown wash.
7 ½ in. (18.8 cm.) high
Provenance
From the collection of an English gentleman of title. Acquired prior to the 1950s and thence by descent within the family.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Cherrei Yuan Tian
Cherrei Yuan Tian

Lot Essay

Compare to two similar vases, one from the Baur Collection, illustrated by John Ayers in Chinese Ceramics in the Baur Collection, vol. 2, Geneva, 1969, no. 270 (A336), and the other in the Asian Art Museum of San Francisco, illustrated by He Li in Chinese Ceramics. A New Standard Guide, London, 1996, pl. 521. Two other related examples of similar form and colour but with distinct crackles in the glaze have been published: one illustrated by Geng Baochang in Ming Qing ciqi jianding, Hong Kong, 1993, no. 446, and the other formerly in the Meiyintang Collection and sold at Sotheby's Hong Kong, 7 April 2011, lot 34.

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