Philipp Bauknecht (1884-1933)
Philipp Bauknecht (1884-1933)

Selbstbildnis III (Selbstbildnis im Atelier)

Details
Philipp Bauknecht (1884-1933)
Selbstbildnis III (Selbstbildnis im Atelier)
signed 'Ph. BAUKNECHT.' (lower right); titled and dated 'Selbstbild. III. 1928.' (on the reverse)
oil on canvas
180 x 94.5 cm.
Painted in 1928.
Provenance
Ada Bauknecht.
Anonymous sale; Christie's Amsterdam, 10 June 2009, lot 192, where acquired by the present owner.
Literature
Iris Wazzau and Gioia Smid, Philipp Bauknecht (1884-1933). Inventory of paintings, Davos, 2016, no. 171 (illustrated p. 289).
Exhibited
Berlin, Galerie Ferdinand Möller, Frühjahrsausstellung, 1928, no. 55.
Stuttgart, Kunsthaus Schaller, Philipp Bauknecht, 1928, inv.no. 4093 (as: Selbstbildnis).
Freiburg, Kunstverein, 1928.
Davos, Kunstgesellschaft Davos, Philipp Bauknecht zum 100. Geburtstag, 22 December 1984-7 February 1985.
Schramberg, Stadtmuseum im Schloss, Philipp Bauknecht, 31 March-5 May 1985.

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Irena Okoelskaja
Irena Okoelskaja

Lot Essay

The present lot, Selbstbild III, is dated 1928. That same year Bauknecht painted another self portrait wearing the same jacket in the striking contrasting colours. Unlike Selbstbildnis mit Orang-Utan (Wazzau, 2016, no. 170), which gives the impression of a double portrait, the present lot gives us an insight in the artist's studio. The mountains in the background do not reveil the view from the artist's studio but show 'Winterlandschaft Laret bei Davos' from 1928, (Wazzau, 2016, no. 163), the painting at the left shows the only nude Bauknecht ever painted (Wazzau, 2016, no. 112). It was his girlfriend Antonina Beljajewa who posed for it in 1915. Next to a flower still life at the lower right, it shows us several artist's tools, used for making his beautiful woodcuts.

Bauknecht stood out because of a very convincing independence and an individual will for artistic expression. His uncompromising use of colour made him to an important avant-garde artist. Bauknecht left a expressionist oeuvre which came to full growth, despite and because of the knowledge that all existence is finite. (Goia Smid, Philipp Bauknecht, Expressionist in Davos, Bussum 2002, p. 83)

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