Giovanni Battista Tiepolo (Venice 1696-1770 Madrid)
PROPERTY OF A PRIVATE COLLECTOR
Giovanni Battista Tiepolo (Venice 1696-1770 Madrid)

A reclining figure, seen from below

Details
Giovanni Battista Tiepolo (Venice 1696-1770 Madrid)
A reclining figure, seen from below
traces of black chalk, pen and brown ink, brown wash, watermark fleur-de-lys and flower
9½ x 6 3/8 in. (24.2 x 16.3 cm.)
Provenance
Count Bernardino Algarotti-Corniani, Venice, by whom sold in 1852 to
Edward Cheney (1803–1884), Badger Hall, Shropshire and by descent to his brother-in-law
Colonel Alfred Capel-Cure (1826-1896), Blake Hall, Essex; Sotheby's, London, 29 April 1885, probably part of lot 1024 (which consisted of 9 albums with Tiepolo drawings).
with Messrs. B.T. Batsford, London; Christie's, London, 14 July 1914, part of lot 49 (£120 to Parsons);
with E. Parsons and Sons, London.
Anonymous sale; Christie's, London, 29 November 1983, lot 53.
Jean Montague Massengale (1921-2006); Sotheby's, London, 4 July 2007, lot 104, where bought by the present owner.

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Iona Ballantyne
Iona Ballantyne

Lot Essay

Drawn with swirly penwork and freely applied wash, this drawing of a dramatically foreshortened figure shown di sotto in sù, comes from an album of drawings titled Sole figure per soffitti. The album consisted of some 177 figure studies, dated by George Knox to circa 1758-60. These show steeply foreshortened figures and, while some can be loosely connected to paintings, the majority seems to have been drawn for its own sake. The album and nine others were sold in 1885 and are collectively known as the 'Cheney Albums'. Two of these, now dissembled, are in the Victoria and Albert Museum (inv. D.1824.1-89-1885 and S.1825.1-237-1885). Three others, of which the Sole figure per soffitti was one, were bought by Parsons in 1914, who broke them up and sold the sheets individually. Groups of drawings from the Sole figure per soffitti album can now be found in the Yale University Art Gallery, New Haven, the Lyman Allyn Museum, New London and The Metropolitan Museum of Art, New York (see J. Byam Shaw and G. Knox, The Robert Lehman Collection. Italian Eighteenth-Century Drawings, New York, 1987, nos. 83-6). The Cheney albums and their provenance are discussed in detail by G. Knox in his Catalogue of the Tiepolo Drawings in the Victoria and Albert Museum, London, 1975, pp. 3-9.

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